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Guizhou Miao 

Wowen's Paper Cutting

苗族剪紙中蘊藏著無限生命力，

歷史與傳說交織，涌現(xiàn)出一段段隱秘的記憶與奇幻的時光，在彩紙剪刀的間隙中緩緩向世人講述......

苗族是善于述說的民族——

不僅僅是在他們丟失的文字、動人的歌謠里，更是在他們翩飛的衣袖裙擺間，以及精妙入神的剪紙藝術中。讓我們?yōu)橹畡尤莸钠鋵嵅粌H是剪紙本身，更是藏在剪紙藝術里的那些歷史和傳說。

The Miao nationality is good at speaking. Not only in their lost words, in their moving ballads. It is also in their fluttering skirts, and in the delicate art of paper-cutting. What makes us moved is not the paper-cut itself, but the history and legends hidden in the art of paper-cutting.

苗族剪紙是苗族刺繡的姊妹藝術，剪紙的紋樣是刺繡的范本，若說刺繡重視技法與色彩搭配，剪紙則是更注重形象的生動體現(xiàn)。苗族剪紙凝聚著苗族人珍貴的生命記憶與獨特的審美意趣，剪紙獨有的陰陽虛實，構建出令人賞心悅目，為之感嘆的獨特神韻。

苗族女剪紙藝術家在創(chuàng)作時，常常一邊創(chuàng)作一邊唱，其內容多為當?shù)孛耖g流傳的傳說與民族生活寫照。這是一種怎樣的巧思和情懷？讓一張張薄如蟬翼的剪紙，承載著厚重的民族文化記憶。

Miao paper-cutting is the sister art of Miao embroidery. The pattern of paper-cutting is a model of embroidery. If embroidery pays attention to technique and color matching, paper-cutting pays more attention to the vivid embodiment of image. Miao paper-cutting embodies the precious life memory and unique characteristics of Miao people. The aesthetic interest and the unique yin and yang of paper-cutting create a unique charm that is admirable. When Miao nationality female paper-cutting artists create, they often sing while creating. The content is mostly a portrayal of local folk legends and national life. What kind of ingenuity and feeling is this? Thin paper-cuts carry a heavy national cultural charm.